Book Review: Dance, Place, and Poetics: Site-Specific Performance as a Portal to Knowing
DOI:
https://doi.org/10.25071/1916-4467.40863Keywords:
embodiment, curriculum studies, site-specific performance, somatics, poetic inquiryAbstract
Celeste Nazeli Snowber’s 2022 book Dance, Place, and Poetics: Site-Specific Performance as a Portal to Knowingcannot fully be captured in a review. The book combines dance videos, sound recordings, poetry and incredible photos. The author offers a refreshing and rejuvenating yet radical approach to a relational understanding of ourselves and others, both humans and non-humans. In this text, I walk the reader through the book. I summarize and highlight the main themes and trends as they relate to curriculum studies.
References
Aoki, T. (1993). Legitimating lived curriculum: Towards a curricular landscape of multiplicity. Journal of Curriculum and Supervision, 8(3), 255–268.
Cancienne, M. B. (2008). From research analysis to performance: The choreographic process. In J. G. Knowles & A. L. Cole (Eds.), Handbook of the arts in qualitative research (pp. 397–405). Sage. DOI: https://doi.org/10.4135/9781452226545.n33
Cancienne, M. B., & Snowber, C. (2003). Writing rhythm: Movement as method. Qualitative Inquiry, 9(2), 237–253. https://doi.org/10.1177/1077800402250956 DOI: https://doi.org/10.1177/1077800402250956
Cutcher, A., & Irwin, R. L. (2017). Walkings-through paint: A c/a/r/tography of slow scholarship. Journal of Curriculum and Pedagogy, 14(2), 116–124. https://doi.org/10.1080/15505170.2017.1310680 DOI: https://doi.org/10.1080/15505170.2017.1310680
Hoad, T. F. (Ed.). (2003). Excess. In The concise Oxford dictionary of English etymology. Oxford University Press (Original work published 1996).
Hotton, V. (2015). Walking practices in higher education: An inquiry into the teaching, writing and walking practices of five contemporary academics [Doctoral dissertation, Simon Fraser University]. Summit Research Repository. https://summit.sfu.ca/item/15634
Irwin, R. L. (2006). Walking to create an aesthetic and spiritual currere. Visual Arts Research, 32(1), 75–82. https://www.jstor.org/stable/20715404
Lasczik Cutcher, A. J. (2018). Moving-with and moving-through homelands, languages and memory: An arts-based walkography. Sense. DOI: https://doi.org/10.1163/9789463512480
Leavy, P. (2015). Method meets art: Arts-based research practice. Guilford Press.
Leavy, P. (Ed.). (2017). Handbook of arts-based research. Guilford Press.
Leggo, C. (2005). Pedagogy of the heart. Ruminations on living poetically. The Journal of Educational Thought, 39(2), 175–195. https://www.jstor.org/stable/i23762167
Leggo, C. (2016). The curriculum of wonder: Poetry as play, prophecy and pedagogy. In N. Ng-a-Fook, A. Ibrahim, & G. Reis (Eds.), Provoking curriculum studies: Strong poetry and arts of the possible in education (pp. 5–28). Routledge. DOI: https://doi.org/10.4324/9781315738628-2
Lyle, E. (2020). Contemplating how the places we dwell, dwell in us. In E. Lyle (Ed.), Identity landscapes: Contemplating place and the construction of self (pp. 1–13). Brill. DOI: https://doi.org/10.1163/9789004425194_001
Lyle, E., & Snowber, C. (2021). Walking as attunement: Being with/in nature as currere. Journal of the Canadian Association for Curriculum Studies, 18(2), 6–20. https://doi.org/10.25071/1916-4467.40514 DOI: https://doi.org/10.25071/1916-4467.40514
Pinar, W. (1994). The method of "Currere". Counterpoints, 2, 19–27. http://www.jstor.org/stable/42975620. (Original work published 1975)
Pinar, W. (2004). What is curriculum theory? (2nd ed.). Routledge.
Prendergast, M., Leggo, C., & Sameshima, P. (Eds.). (2009). Poetic inquiry: Vibrant voices in the social sciences. Sense. DOI: https://doi.org/10.1163/9789087909512
Snowber, C. (2002). Bodydance: Fleshing soulful inquiry through improvisation. In C. Bagley & M. B. Cancienne (Eds.), Dancing the data (pp. 20–33). Peter Lang.
Snowber, C. (2012a). Dance as a way of knowing. New Directions for Adult and Continuing Education, 134, 53-60. https://doi.org/10.1002/ace.20017 DOI: https://doi.org/10.1002/ace.20017
Snowber, C. (2014). Dancing on the breath of limbs: Embodied inquiry as a place of opening. In A. Williamson, G. Batson, S. Whatley, & R. Weber (Eds.), Dance, somatics and spiritualities: Contemporary sacred narratives (pp. 115–130). Intellect.
Snowber, C. (2016a). Embodied inquiry: Writing, living and being through the body. Sense. DOI: https://doi.org/10.1007/978-94-6300-755-9
Snowber, C. (2016b). An embodied currere: Dance, poetics and place and site-specific performance. In M. Doll (Ed.), The reconceptualization of curriculum studies: A festschrift in honor of William F. Pinar (pp. 127–143). Routledge.
Snowber, C. (2017). Living, moving and dancing: Embodied ways of inquiry. In P. Leavy (Ed.), Handbook of arts based research (pp. 247–266). Guilford Press.
Snowber, C. N. (2022). Dance, place, and poetics: Site-specific performance as a portal to Kknowing. Palgrave Macmillan. DOI: https://doi.org/10.1007/978-3-031-09716-4
Springgay, S., & Truman, S. (2018). Walking methodologies in a more-than-human world: Walking lab. Routledge.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Carolina Bergonzoni
Copyright for work published in JCACS belongs to the authors. All work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license.