Recension

Auteurs-es

DOI :

https://doi.org/10.25071/1916-4467.40863

Mots-clés :

embodiment, curriculum studies, site-specific performance, somatics, poetic inquiry

Résumé

Le livre de Celeste Nazeli Snowber, Dance, Place, and Poetics : Site-specific Performance as a Portal to Knowing, publié en 2022, ne peut être entièrement décrit dans un compte rendu. Le livre combine des vidéos de danse, des enregistrements sonores, de la poésie et des photos incroyables. L'auteur propose une approche rafraîchissante et rénovatrice, mais radicale, de la compréhension relationnelle de nous-mêmes et des autres, humains et non-humains. Dans ce texte, j'accompagne le lecteur à travers le livre. Je résume et souligne les principaux thèmes et tendances dans la mesure où ils sont liés à l'étude des programmes d'études.

Biographie de l'auteur-e

Carolina Bergonzoni, Simon Fraser University

Carolina Bergonzoni is a dance artist, somatic educator and practitioner, and emergent scholar. Carolina holds a Ph.D. in Arts Education, as well as a Shadbolt Fellowship, from Simon Fraser University.

Références

Aoki, T. (1993). Legitimating lived curriculum: Towards a curricular landscape of multiplicity. Journal of Curriculum and Supervision, 8(3), 255–268.

Cancienne, M. B. (2008). From research analysis to performance: The choreographic process. In J. G. Knowles & A. L. Cole (Eds.), Handbook of the arts in qualitative research (pp. 397–405). Sage. DOI: https://doi.org/10.4135/9781452226545.n33

Cancienne, M. B., & Snowber, C. (2003). Writing rhythm: Movement as method. Qualitative Inquiry, 9(2), 237–253. https://doi.org/10.1177/1077800402250956 DOI: https://doi.org/10.1177/1077800402250956

Cutcher, A., & Irwin, R. L. (2017). Walkings-through paint: A c/a/r/tography of slow scholarship. Journal of Curriculum and Pedagogy, 14(2), 116–124. https://doi.org/10.1080/15505170.2017.1310680 DOI: https://doi.org/10.1080/15505170.2017.1310680

Hoad, T. F. (Ed.). (2003). Excess. In The concise Oxford dictionary of English etymology. Oxford University Press (Original work published 1996).

Hotton, V. (2015). Walking practices in higher education: An inquiry into the teaching, writing and walking practices of five contemporary academics [Doctoral dissertation, Simon Fraser University]. Summit Research Repository. https://summit.sfu.ca/item/15634

Irwin, R. L. (2006). Walking to create an aesthetic and spiritual currere. Visual Arts Research, 32(1), 75–82. https://www.jstor.org/stable/20715404

Lasczik Cutcher, A. J. (2018). Moving-with and moving-through homelands, languages and memory: An arts-based walkography. Sense. DOI: https://doi.org/10.1163/9789463512480

Leavy, P. (2015). Method meets art: Arts-based research practice. Guilford Press.

Leavy, P. (Ed.). (2017). Handbook of arts-based research. Guilford Press.

Leggo, C. (2005). Pedagogy of the heart. Ruminations on living poetically. The Journal of Educational Thought, 39(2), 175–195. https://www.jstor.org/stable/i23762167

Leggo, C. (2016). The curriculum of wonder: Poetry as play, prophecy and pedagogy. In N. Ng-a-Fook, A. Ibrahim, & G. Reis (Eds.), Provoking curriculum studies: Strong poetry and arts of the possible in education (pp. 5–28). Routledge. DOI: https://doi.org/10.4324/9781315738628-2

Lyle, E. (2020). Contemplating how the places we dwell, dwell in us. In E. Lyle (Ed.), Identity landscapes: Contemplating place and the construction of self (pp. 1–13). Brill. DOI: https://doi.org/10.1163/9789004425194_001

Lyle, E., & Snowber, C. (2021). Walking as attunement: Being with/in nature as currere. Journal of the Canadian Association for Curriculum Studies, 18(2), 6–20. https://doi.org/10.25071/1916-4467.40514 DOI: https://doi.org/10.25071/1916-4467.40514

Pinar, W. (1994). The method of "Currere". Counterpoints, 2, 19–27. http://www.jstor.org/stable/42975620. (Original work published 1975)

Pinar, W. (2004). What is curriculum theory? (2nd ed.). Routledge.

Prendergast, M., Leggo, C., & Sameshima, P. (Eds.). (2009). Poetic inquiry: Vibrant voices in the social sciences. Sense. DOI: https://doi.org/10.1163/9789087909512

Snowber, C. (2002). Bodydance: Fleshing soulful inquiry through improvisation. In C. Bagley & M. B. Cancienne (Eds.), Dancing the data (pp. 20–33). Peter Lang.

Snowber, C. (2012a). Dance as a way of knowing. New Directions for Adult and Continuing Education, 134, 53-60. https://doi.org/10.1002/ace.20017 DOI: https://doi.org/10.1002/ace.20017

Snowber, C. (2014). Dancing on the breath of limbs: Embodied inquiry as a place of opening. In A. Williamson, G. Batson, S. Whatley, & R. Weber (Eds.), Dance, somatics and spiritualities: Contemporary sacred narratives (pp. 115–130). Intellect.

Snowber, C. (2016a). Embodied inquiry: Writing, living and being through the body. Sense. DOI: https://doi.org/10.1007/978-94-6300-755-9

Snowber, C. (2016b). An embodied currere: Dance, poetics and place and site-specific performance. In M. Doll (Ed.), The reconceptualization of curriculum studies: A festschrift in honor of William F. Pinar (pp. 127–143). Routledge.

Snowber, C. (2017). Living, moving and dancing: Embodied ways of inquiry. In P. Leavy (Ed.), Handbook of arts based research (pp. 247–266). Guilford Press.

Snowber, C. N. (2022). Dance, place, and poetics: Site-specific performance as a portal to Kknowing. Palgrave Macmillan. DOI: https://doi.org/10.1007/978-3-031-09716-4

Springgay, S., & Truman, S. (2018). Walking methodologies in a more-than-human world: Walking lab. Routledge.

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Publié-e

2023-12-31

Comment citer

Bergonzoni, C. (2023). Recension. La Revue De l’association Canadienne Pour l’étude De Curriculum , 20(2-3), 173–180. https://doi.org/10.25071/1916-4467.40863

Numéro

Rubrique

Recensions / Book Reviews